![]() ![]() “In the mainstream world, the value of tattoo art, as folk art and fine art is recognized,” said Margot Mifflin, author of “Bodies of Subversion,” whose third edition was published in January. Indeed, there are movements in the craft, celebrated on the pages of coffee table books and blogs, that helped tattoo art creep into the art world via the usual drivers of recognition - talent, popularity, and surprisingly, even lawsuits. Rudy wasn’t called an artist in 1975, but that’s what people call him now, along with a “godfather of black and grey style,” a sort of chiaroscuro technique in tattoo art. when tattoos were the mark of sailors or Marines, of which he was one. Rudy remembers back when there were only four tattoo parlors in East L.A. There are owners of tattoo shops who don’t even have tattoos. ![]() “But, oh, the things that I’ve seen,” Rudy trails off. “Everyone knows everyone, we recognize each other’s work,” said California-based Jack Rudy, 59, an icon of the tattoo industry who started tattooing at Goodtime Charlie’s Tattooland in East Los Angeles in 1975. And although over 160 tattoo artists convened to drill ink into torsos and limbs, the 2013 DC Tattoo Expo felt more like a small-town summer arts festival than a national convention. these attendees were not amateurs, but expert collectors searching for new acquisitions. There was no panic or indecision in the Crystal Gateway Marriott in Arlington, Va. WASHINGTON - The ballroom was abuzz - bzzzzzz - bzzzzzz - with hundreds of hand-held tattoo machines grinding away at fresh flesh. ![]()
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